{"id":21510,"date":"2024-04-24T14:30:17","date_gmt":"2024-04-24T11:30:17","guid":{"rendered":"https:\/\/www.athensmusicweek.gr\/?post_type=event&#038;p=21510"},"modified":"2024-05-02T19:04:27","modified_gmt":"2024-05-02T16:04:27","slug":"fair-play-debating-the-future-of-music-streaming-revenue-models","status":"publish","type":"event","link":"https:\/\/www.athensmusicweek.gr\/el\/events\/fair-play-debating-the-future-of-music-streaming-revenue-models\/","title":{"rendered":"Fair Play: Debating the Future of Music Streaming Revenue Models"},"content":{"rendered":"<p>Effective since April 2024, Spotify&#8217;s new royalty model requires tracks to accumulate at least 1,000 annual streams from a significant number of unique listeners to qualify for royalties. This panel will explore how the model aims to fairly distribute royalties and combat streaming fraud. We&#8217;ll also discuss the implications for emerging artists who may struggle to meet this threshold, potentially impacting their visibility and income. Attend this session to examine whether this model can truly balance fairness with profitability in the streaming industry and what it means for the future of new talents.<\/p><p><br><strong>Moderator<\/strong>: Mandy Salem-Aubry (NL)<\/p>","protected":false},"excerpt":{"rendered":"<p>Effective since April 2024, Spotify&#8217;s new royalty model requires tracks to accumulate at least 1,000 annual streams from a significant number of unique listeners to qualify for royalties. This panel will explore how the model aims to fairly distribute royalties and combat streaming fraud. We&#8217;ll also discuss the implications for emerging artists who may struggle [&hellip;]<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"event-cat":[103],"nationality":[],"music-genre":[],"destination":[],"topic":[],"language":[79],"class_list":["post-21510","event","type-event","status-publish","hentry","event-cat-panels-el-2","language-english-el"],"acf":[],"featured_image_src":"","ams_acf":[{"key":"performers","label":"Performers","value":[{"ID":16934,"post_author":"2133","post_date":"2023-04-24 12:23:02","post_date_gmt":"2023-04-24 09:23:02","post_content":"<!-- wp:paragraph -->\n<p>Mandy Salem-Aubry is an independent music business professional with thirty years of international experience. Through her company, MSA Music Services, she advises rightsholders on building effective publishing structures, supports music-tech startups with strategy, positioning and investor relations, and connects clients with a highly trusted international network that supports meaningful, long-term growth.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her clients have included Slipknot, Jason Mraz, One Direction, Tori Amos, Soulfly, Nickelback, Moloko, and Downtown Music Publishing. 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Focused on technology and intellectual property rights, metadata, and usage data, to develop efficiencies for artists business models. His clients have included Radiohead, Rihanna, The Clash and Beyonce. Jake advises The International Music Managers Forum (IMMF) on artists business models, and IP policy. IMMF is a global network of associations of self managed artists and artist managers in over 50 countries from Cambodia to Mexico. Jake leads the MMF DAO project, to evaluate Decentralised Autonomous Organisation business models to raise finance for artists and build fan communities. He has also led development at Oiid, an interactive music products platform, and advised a number of tech start-ups. Jake is head of biz dev at ocean conservation charity Project Zero, the first charity to launch Web3 social tokens working across culture with a focus on music and visual arts. He enjoys freediving or scuba diving, depending on how cold it is.<\/p>\n<!-- \/wp:paragraph -->","post_title":"Jake Beaumont-Nesbitt (UK)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jake-beaumont-nesbitt-uk","to_ping":"","pinged":"","post_modified":"2024-05-08 13:12:01","post_modified_gmt":"2024-05-08 10:12:01","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=17334","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":22241,"post_author":"1566","post_date":"2024-04-30 22:54:26","post_date_gmt":"2024-04-30 19:54:26","post_content":"<!-- wp:paragraph -->\n<p>Ionu\u021b Polexe is the General Manager of Roton Music, one of Romania\u2019s leading independent labels, where he applies over 20 years of corporate and entrepreneurial experience to drive transformative change. A product management and marketing specialist, Ionu\u021b boasts a versatile 14-year tenure in the music industry, skillfully navigating digital, business development, and general management roles.&nbsp;<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He complemented his educational foundation with specialized studies in sustainability at the Rotterdam School of Management, Erasmus University, and \"Design Thinking and Creativity for Business\" at INSEAD. His superpower? Empowering people to drive business transformation.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><br><strong>Links<\/strong>:<br><br>Linkedin: <a href=\"https:\/\/www.linkedin.com\/in\/ionutpolexe\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.linkedin.com\/in\/ionutpolexe\/<\/a><\/p>\n<!-- \/wp:paragraph -->","post_title":"Ionut Polexe (RO)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ionut-polexe-ro","to_ping":"","pinged":"","post_modified":"2024-04-30 22:54:28","post_modified_gmt":"2024-04-30 19:54:28","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=22241","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":21721,"post_author":"1566","post_date":"2024-04-27 13:22:15","post_date_gmt":"2024-04-27 10:22:15","post_content":"<!-- wp:paragraph -->\n<p>The last 20 years have shown to me all sides and corners that the music industry has to offer. Today I am delighted to share my experience with those who thrive to further change and expand the sector, with the goal to achieve generation-wide improvements.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong><br>Links<\/strong>:<br><br>Linkedin: <a href=\"https:\/\/www.linkedin.com\/in\/mihai-costin-089001251\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.linkedin.com\/in\/mihai-costin-089001251\/<\/a><\/p>\n<!-- \/wp:paragraph -->","post_title":"Mihai Costin (DE)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mihai-costin-de","to_ping":"","pinged":"","post_modified":"2024-05-14 02:22:12","post_modified_gmt":"2024-05-13 23:22:12","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=21721","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":22527,"post_author":"1566","post_date":"2024-05-02 18:40:46","post_date_gmt":"2024-05-02 15:40:46","post_content":"<!-- wp:paragraph -->\n<p>Damiano PICCI is the Co-Owner and Strategy &amp; Innovation Manager of Beast Records, CEO and Studio Director of Velvet Flare, Creative Entrepreneur and a contemporary digital music composer from Luxembourg. After music studies at the Conservatoire de Luxembourg and a Bachelor's degree at the University of Darmstadt with the topic of conceptualizing and designing a musical interactive artificial intelligence based on supervised learning, Damiano Picci founded his first company in 2018.&nbsp;<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>After an exciting stint at Galaxy Studios in Antwerp, gaining invaluable experience in the field of spatial sound and orchestral music, Damiano returned to Luxembourg focusing more on composing music for dance, theater and immersive installations, using traditional composing techniques as well as conceptualizing and designing musical interactive artificial intelligences and generative music systems while pushing the boundaries between music and coding. Since then, in collaboration with his partners, he has established seven companies that delve into various cultural and media sectors, all the while developing the professional growth of Luxembourg's creative industries.&nbsp;<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Owing to his strategic vision and diverse skills, Damiano has executed a plethora of projects, ranging from promoting performing artists to conceptualizing immersive media installations, ensuring every creative niche benefits from his expertise.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><br><strong>Links<\/strong>:<br><br>Linkedin: <a href=\"https:\/\/www.linkedin.com\/in\/damiano-picci\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.linkedin.com\/in\/damiano-picci\/<\/a><\/p>\n<!-- \/wp:paragraph -->","post_title":"Damiano Picci (LU)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"damiano-picci-lu","to_ping":"","pinged":"","post_modified":"2024-05-02 18:40:49","post_modified_gmt":"2024-05-02 15:40:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=22527","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"}]},{"key":"date","label":"Date","value":"23 \u039c\u03b1\u0390\u03bf\u03c5 2024"},{"key":"launch_time","label":"Launch Time","value":"17:30"},{"key":"end_time","label":"End Time","value":"18:30"},{"key":"hero_image","label":"Hero Image","value":15152}],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Fair Play: Debating the Future of Music Streaming Revenue Models - Athens Music Week<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.athensmusicweek.gr\/el\/events\/fair-play-debating-the-future-of-music-streaming-revenue-models\/\" \/>\n<meta property=\"og:locale\" content=\"el_GR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fair Play: Debating the Future of Music Streaming Revenue Models - Athens Music Week\" \/>\n<meta property=\"og:description\" content=\"Effective since April 2024, Spotify&#8217;s new royalty model requires tracks to accumulate at least 1,000 annual streams from a significant number of unique listeners to qualify for royalties. 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