{"id":27875,"date":"2025-04-24T16:16:13","date_gmt":"2025-04-24T13:16:13","guid":{"rendered":"https:\/\/www.athensmusicweek.gr\/?post_type=event&#038;p=27875"},"modified":"2025-04-26T17:47:38","modified_gmt":"2025-04-26T14:47:38","slug":"the-taylors-version-strategy-re-recording-music-albums","status":"publish","type":"event","link":"https:\/\/www.athensmusicweek.gr\/el\/events\/the-taylors-version-strategy-re-recording-music-albums\/","title":{"rendered":"The \u2018Taylor\u2019s Version\u2019 strategy: Re-recording music albums"},"content":{"rendered":"<p>Swift\u2019s move to re-record and re-release her albums, labelling them as \u2018Taylor\u2019s Version\u2019, seems to have paved the way for a change in the world of music. On the other side of the Atlantic Ocean, Taylor Swift regained control of her creative work, meaning not only of her musical works but also of the master recordings. Although there is an interesting backstory explaining Taylor Swift\u2019s decision, in this presentation, we focus on the legal grounds that made it possible. Copyright, licensing, and commercial transactions form an exciting world, and this case confirms it.<\/p><p>Powered by the Hellenic Copyright Organisation<br><strong>Presenter:<\/strong>\u00a0Maria Daphne Papadopoulou<\/p>","protected":false},"excerpt":{"rendered":"<p>Swift\u2019s move to re-record and re-release her albums, labelling them as \u2018Taylor\u2019s Version\u2019, seems to have paved the way for a change in the world of music. On the other side of the Atlantic Ocean, Taylor Swift regained control of her creative work, meaning not only of her musical works but also of the master [&hellip;]<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"event-cat":[510],"nationality":[],"music-genre":[],"destination":[],"topic":[],"language":[79],"class_list":["post-27875","event","type-event","status-publish","hentry","event-cat-presentations","language-english-el"],"acf":[],"featured_image_src":"","ams_acf":[{"key":"performers","label":"Performers","value":[{"ID":27031,"post_author":"2133","post_date":"2025-04-11 14:04:17","post_date_gmt":"2025-04-11 11:04:17","post_content":"<!-- wp:paragraph -->\n<p>Dr. Maria Daphne Papadopoulou is currently the Acting Director of the Hellenic Copyright Organization. She is a member in many copyright and IP committees, and a national expert in groups for copyright and IP. She has an extensive law drafting experience (including the majority of copyright directives and recently the DSA Regulation); she has also drafted the relevant framework for the national copyright anti-piracy system (Article 66E Law 2121\/1993 and the pertinent ministerial decisions), while she is actively involved in the function and the supervision of the Greek Committee for the Notification of Copyright and Related Rights Infringement on the Internet (EDPPI). She is an author of numerous contributions in books and articles (in Greek, English and German), has presented many papers in national and international conferences and gives lectures on copyright issues. At the same time, she is a copyright expert working as a freelance attorney consulting on copyright and general IP issues and a certified civil-commercial mediator.<\/p>\n<!-- \/wp:paragraph -->","post_title":"Maria-Daphne Papadopoulou (GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"maria-daphne-papadopoulou-gr","to_ping":"","pinged":"","post_modified":"2026-04-15 15:37:36","post_modified_gmt":"2026-04-15 12:37:36","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=27031","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"}]},{"key":"date","label":"Date","value":"8 \u039c\u03b1\u0390\u03bf\u03c5 2025"},{"key":"launch_time","label":"Launch Time","value":"15:30"},{"key":"end_time","label":"End Time","value":"15:45"},{"key":"hero_image","label":"Hero Image","value":15152}],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The \u2018Taylor\u2019s Version\u2019 strategy: Re-recording music albums - Athens Music Week<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.athensmusicweek.gr\/el\/events\/the-taylors-version-strategy-re-recording-music-albums\/\" \/>\n<meta property=\"og:locale\" content=\"el_GR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The \u2018Taylor\u2019s Version\u2019 strategy: Re-recording music albums - Athens Music Week\" \/>\n<meta property=\"og:description\" content=\"Swift\u2019s move to re-record and re-release her albums, labelling them as \u2018Taylor\u2019s Version\u2019, seems to have paved the way for a change in the world of music. 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