{"id":30235,"date":"2026-04-08T17:48:37","date_gmt":"2026-04-08T14:48:37","guid":{"rendered":"https:\/\/www.athensmusicweek.gr\/?post_type=event&#038;p=30235"},"modified":"2026-04-24T13:02:05","modified_gmt":"2026-04-24T10:02:05","slug":"innovation-and-the-law-where-to-move-fast-and-when-to-stop","status":"publish","type":"event","link":"https:\/\/www.athensmusicweek.gr\/el\/events\/innovation-and-the-law-where-to-move-fast-and-when-to-stop\/","title":{"rendered":"Innovation and the law: Where to move fast and when to stop"},"content":{"rendered":"<p class=\"wp-block-paragraph\">From Napster to YouTube and TikTok, music innovation has often moved ahead of licensing, forcing the industry to respond and adapt. Now gen AI platforms such as Suno and Udio are testing the boundaries again, from how training data is sourced to how outputs are created, attributed and monetised within existing copyright frameworks.<\/p><p class=\"wp-block-paragraph\">This discussion looks at where that line sits in practice. When does moving fast help define what comes next, and when do you need to stop and put the right permissions in place first? How do founders, creators and rights holders navigate that tension, and what separates ideas that evolve into viable, licensed models from those that run into problems?<\/p><p class=\"wp-block-paragraph\">Moderated by Mandy Salem-Aubry<\/p><p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>From Napster to YouTube and TikTok, music innovation has often moved ahead of licensing, forcing the industry to respond and adapt. Now gen AI platforms such as Suno and Udio are testing the boundaries again, from how training data is sourced to how outputs are created, attributed and monetised within existing copyright frameworks. This discussion [&hellip;]<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"event-cat":[86,103],"nationality":[316,80,324],"music-genre":[],"destination":[764],"topic":[],"language":[79],"class_list":["post-30235","event","type-event","status-publish","hentry","event-cat-conference-el","event-cat-panels-el-2","nationality-france-el","nationality-greece-el","nationality-united-kingdom-el","destination-2004-el","language-english-el"],"acf":[],"featured_image_src":"","ams_acf":[{"key":"date","label":"Date","value":"8 \u039c\u03b1\u0390\u03bf\u03c5 2026"},{"key":"launch_time","label":"Launch Time","value":"14:30"},{"key":"end_time","label":"End Time","value":"15:30"},{"key":"hero_image","label":"Hero Image","value":30111},{"key":"performers","label":"Performers","value":[{"ID":27317,"post_author":"2133","post_date":"2025-04-16 15:06:45","post_date_gmt":"2025-04-16 12:06:45","post_content":"<!-- wp:paragraph -->\n<p>Eva Moustaka is a Counsellor-at-Law specializing in Copyright &amp; Related \u2013 Rights Law. She<br>had graduated magna cum laude from the Law School of Athens and summa cum laude from<br>the Hellenic International University, holding a Master in Art, Law &amp; Economy. She is<br>currently a PhD Candidate at the Law School of Athens.<br>Since 2017, she is collaborating with the Hellenic Copyright Organization (HCO), providing<br>also her legal services in terms of the operation of the Committee for the Notification of<br>Copyright and Related Rights Infringements (EDPPI).<br>Her contributions in collective works, as well as her scientific articles focusing on copyright<br>law, as well as in cultural \u2013 property law had been published both in Greece and abroad (in<br>Greek, English and French), while she had been also the annual contributor for Greece to the<br>Kluwer Copyright Law Smart Charts.<br>She focuses on copyright and related rights\u2019 law in both practical and research terms. She<br>further deals with Intellectual Property law in general, as well as with new technologies. In<br>particular, she deals, among others, with copyright protection and licensing agreements, as<br>well as with infringement issues. Within the framework of collaboration with the HCO, she<br>had been engaged in legislative preparatory work, while she had represented Greece before<br>the EU bodies and WIPO.<br>Lastly, she had participated as a speaker in numerous educational and raising \u2013 awareness<br>seminars, as well as in scientific conferences, while she had undertaken joint missions in<br>twining programs as a copyright expert.<br><\/p>\n<!-- \/wp:paragraph -->","post_title":"Eva Moustaka (GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"eva-moustaka-gr","to_ping":"","pinged":"","post_modified":"2026-05-01 11:27:37","post_modified_gmt":"2026-05-01 08:27:37","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=27317","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":16934,"post_author":"2128","post_date":"2023-04-24 12:23:02","post_date_gmt":"2023-04-24 09:23:02","post_content":"<!-- wp:paragraph -->\n<p>Mandy Salem-Aubry is an independent music business professional with thirty years of international experience. Through her company, MSA Music Services, she advises rightsholders on building effective publishing structures, supports music-tech startups with strategy, positioning and investor relations, and connects clients with a highly trusted international network that supports meaningful, long-term growth.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her clients have included Slipknot, Jason Mraz, One Direction, Tori Amos, Soulfly, Nickelback, Moloko, and Downtown Music Publishing. Before founding MSA Music Services, she held senior roles at Roadrunner Records, Fintage House, and Songtrust.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mandy is the International Conference Director for Athens Music Week and a regular moderator at international conferences, known for clear, engaging sessions that connect music, technology, and business.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>She mentors with Keychange, Culttech Academy, Music Tech Europe Academy, and Help Musicians, and is a Mental Health First Aider, Associate Member of IMPF (Independent Music Publishers Forum), and former Executive Board Member of AFEM (Association for Electronic Music), of which she remains a member.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Website:<\/strong> <a href=\"https:\/\/www.msamusicservices.com\">www.msamusicservices.com<\/a> <\/p>\n<!-- \/wp:paragraph -->","post_title":"Mandy Salem-Aubry (UK\/FR\/NL)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mandy-salem-aubry","to_ping":"","pinged":"","post_modified":"2026-04-29 12:30:20","post_modified_gmt":"2026-04-29 09:30:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=16934","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":22089,"post_author":"2133","post_date":"2024-04-29 19:22:57","post_date_gmt":"2024-04-29 16:22:57","post_content":"<!-- wp:paragraph -->\n<p>Chris&nbsp;Hocking is a music industry professional working at the intersection of music, technology, and digital rights. With over 20 years of experience across creator workflows, artist management, record label A&amp;R, and digital rights management, he focuses on building systems that support the long-term growth of independent music.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:quote -->\n<blockquote class=\"wp-block-quote\"><!-- wp:paragraph -->\n<p>He is the founder of Indiy, a global marketplace and community for music services, and The Factory Music Group, where he develops monetisation infrastructure for independent artists and rightsholders.<\/p>\n<!-- \/wp:paragraph --><\/blockquote>\n<!-- \/wp:quote -->\n\n<!-- wp:paragraph -->\n<p>Alongside his work as a founder,&nbsp;Chris&nbsp;serves as &nbsp;Head of IT &amp; Digital Innovation at MESO Events a non profit based in Athens Greece, contributing to initiatives such as Music Tech Europe Academy and Athens Music Week. His work in these roles is focused on empowering the next generation of music professionals therefore, bridging the gap between music, technology, and entrepreneurship, and helping emerging talent navigate a rapidly evolving industry.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->","post_title":"Chris Hocking (UK\/GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"chris-hocking-gr","to_ping":"","pinged":"","post_modified":"2026-04-17 13:13:47","post_modified_gmt":"2026-04-17 10:13:47","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=22089","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":29472,"post_author":"2133","post_date":"2026-03-04 14:50:44","post_date_gmt":"2026-03-04 11:50:44","post_content":"<!-- wp:paragraph -->\n<p>Becky is a seasoned advisor for companies bridging the gap between music and technology, with a focus on music rights, data, and industry engagement. Her expertise lies in how the music industry and rights interact with emerging technologies such as Artificial Intelligence, Blockchain, Livestreaming, Metaverses and Virtual Reality.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>With a rich professional background spanning 20 years, Becky has contributed her skills and knowledge to organisations including 7digital, Cantine, Condense Reality, Driift, EMI Music, IYK, JAAK, Lickd, Omnifone, Pacemaker, RoEx Audio, Rovr Live, Samsung, SeeSaw TV, Sony Pictures &amp; PlayStation, Stability AI and Warner Music.<\/p>\n<!-- \/wp:paragraph -->","post_title":"Becky Brook (UK)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"becky-brook-uk","to_ping":"","pinged":"","post_modified":"2026-04-22 00:00:20","post_modified_gmt":"2026-04-21 21:00:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/speakers\/becky-brook-uk\/","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":31221,"post_author":"2128","post_date":"2026-04-22 10:59:15","post_date_gmt":"2026-04-22 07:59:15","post_content":"<!-- wp:paragraph -->\n<p>Eric Reithler-Barros is a New York media and technology executive with 30+ years at the intersection of music, creative industries, and digital infrastructure, known for navigating industry transformation.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He held senior international roles at Fortune 50 companies including Verizon, Level 3 Communications, Edgecast, and Johnson &amp; Johnson, delivering infrastructure, cloud, and media services to clients such as Sony Music, News Corp, and 20th Century Fox.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In music and live entertainment, he served as Global VP of SFX Entertainment, helping scale a $1.4B platform that acquired brands including Tomorrowland and Beatport. He was previously Managing Director and Chief Commercial Officer of A2LiVE\/STORM Festival in Shanghai.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A serial builder, he launched Art Revolver in China and later became cofounding partner and CCO\/CSO of RCRDSHP, an early Web3 music platform.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Today, Eric is cofounding CEO of Fold Artists, focused on ethical AI to protect rightsholders in the age of generative AI, and a visiting professor at Berklee College of Music.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>He also mentors entrepreneurs and remains an active music creator with 200+ releases and four indie labels.<\/p>\n<!-- \/wp:paragraph -->","post_title":"Eric Reithler-Barros (US\/FR\/BR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"eric-reithler-barros-us","to_ping":"","pinged":"","post_modified":"2026-04-22 13:44:38","post_modified_gmt":"2026-04-22 10:44:38","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=31221","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":22229,"post_author":"2133","post_date":"2024-04-30 22:42:16","post_date_gmt":"2024-04-30 19:42:16","post_content":"<!-- wp:paragraph -->\n<p>Alexandros Nousias is a Research Associate at the Institute of Informatics &amp; Telecommunications of NCSR Demokritos, specialising in digital and AI law, governance, and ethics. He advises research organisations, corporates, and technology companies across both research and market-facing projects, and teaches AI ethics, law, and governance at postgraduate level in Greece.&nbsp;He&nbsp;&nbsp;promotes a shift from compliance as a minimum requirement to quality as the real foundation of trustworthy AI.&nbsp;He contributed to the \u201cBlueprint for Greece\u2019s AI Transformation\u201d as Technical Consultant to the High-Level Advisory Committee on Artificial Intelligence to the Prime Minister. He is also involved in Pharos, the Greek AI Factory, focusing on compliance&nbsp;and governance. He also serves as Chair of the Greek JTC 21 Mirror Committee on European Harmonised Standards and is an IEEE CertifAIEd AI Ethics Lead Assessor.&nbsp;Alexandros&nbsp;&nbsp;promotes a shift from compliance as a minimum requirement to quality as the real foundation of trustworthy AI<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->","post_title":"Alexandros Nousias (GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"alexandros-nousias-gr","to_ping":"","pinged":"","post_modified":"2026-05-01 10:42:51","post_modified_gmt":"2026-05-01 07:42:51","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=22229","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"}]}],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Innovation and the law: Where to move fast and when to stop - Athens Music Week<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.athensmusicweek.gr\/el\/events\/innovation-and-the-law-where-to-move-fast-and-when-to-stop\/\" \/>\n<meta property=\"og:locale\" content=\"el_GR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Innovation and the law: Where to move fast and when to stop - Athens Music Week\" \/>\n<meta property=\"og:description\" content=\"From Napster to YouTube and TikTok, music innovation has often moved ahead of licensing, forcing the industry to respond and adapt. 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