{"id":30773,"date":"2026-04-21T08:39:43","date_gmt":"2026-04-21T05:39:43","guid":{"rendered":"https:\/\/www.athensmusicweek.gr\/?post_type=event&#038;p=30773"},"modified":"2026-04-23T16:23:50","modified_gmt":"2026-04-23T13:23:50","slug":"the-future-of-music-is-here-meet-the-gen-zs","status":"publish","type":"event","link":"https:\/\/www.athensmusicweek.gr\/el\/events\/the-future-of-music-is-here-meet-the-gen-zs\/","title":{"rendered":"The future of music is here: Meet the Gen Z&#8217;s"},"content":{"rendered":"<p>\u0394\u03b5\u03bd \u03c5\u03c0\u03ac\u03c1\u03c7\u03b5\u03b9 \u03ad\u03bd\u03b1\u03c2 \u03c3\u03c9\u03c3\u03c4\u03cc\u03c2 \u03c4\u03c1\u03cc\u03c0\u03bf\u03c2 \u03bd\u03b1 \u03bc\u03c0\u03b5\u03b9\u03c2 \u03c3\u03c4\u03b7 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03b2\u03b9\u03bf\u03bc\u03b7\u03c7\u03b1\u03bd\u03af\u03b1, \u03bf\u03cd\u03c4\u03b5 \u03ba\u03ac\u03c0\u03bf\u03b9\u03bf manual \u03c0\u03bf\u03c5 \u03b1\u03c0\u03bb\u03ac \u03b1\u03ba\u03bf\u03bb\u03bf\u03c5\u03b8\u03b5\u03af\u03c2. \u039a\u03b9 \u03cc\u03bc\u03c9\u03c2, \u03bc\u03b9\u03b1 \u03bd\u03ad\u03b1 \u03b3\u03b5\u03bd\u03b9\u03ac \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03ce\u03bd \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b1\u03b3\u03b3\u03b5\u03bb\u03bc\u03b1\u03c4\u03b9\u03ce\u03bd \u03b4\u03b5\u03bd \u03c0\u03b5\u03c1\u03b9\u03bc\u03ad\u03bd\u03b5\u03b9 \u03bd\u03b1 \u03c4\u03b7\u03c2 \u03b4\u03b5\u03af\u03be\u03bf\u03c5\u03bd \u03c4\u03bf\u03bd \u03b4\u03c1\u03cc\u03bc\u03bf, \u03c4\u03bf\u03bd \u03c6\u03c4\u03b9\u03ac\u03c7\u03bd\u03b5\u03b9 \u03bc\u03cc\u03bd\u03b7 \u03c4\u03b7\u03c2.<\/p><p>\u0395\u03af\u03c4\u03b5 \u03c9\u03c2 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2, \u03b5\u03af\u03c4\u03b5 \u03bc\u03ad\u03c3\u03b1 \u03b1\u03c0\u03cc \u03bf\u03bc\u03ac\u03b4\u03b5\u03c2, labels \u03ae projects, \u03be\u03b5\u03ba\u03b9\u03bd\u03bf\u03cd\u03bd \u03ba\u03ac\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2, \u03b4\u03bf\u03ba\u03b9\u03bc\u03ac\u03b6\u03bf\u03bd\u03c4\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03bc\u03c0\u03b1\u03af\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03ba\u03b1\u03c4\u03b5\u03c5\u03b8\u03b5\u03af\u03b1\u03bd \u03bc\u03ad\u03c3\u03b1 \u03c3\u03c4\u03b1 \u03c0\u03c1\u03ac\u03b3\u03bc\u03b1\u03c4\u03b1. \u03a4\u03af\u03c0\u03bf\u03c4\u03b1 \u03b4\u03b5\u03bd \u03b5\u03af\u03bd\u03b1\u03b9 \u03c3\u03c4\u03b1\u03b8\u03b5\u03c1\u03cc \u03ba\u03b1\u03b9 \u03c3\u03c7\u03b5\u03b4\u03cc\u03bd \u03c0\u03bf\u03c4\u03ad \u03b4\u03b5\u03bd \u03c0\u03ac\u03b5\u03b9 \u03c3\u03b5 \u03b5\u03c5\u03b8\u03b5\u03af\u03b1 \u03b3\u03c1\u03b1\u03bc\u03bc\u03ae.<\/p><p>\u0391\u03c0\u03cc \u03c0\u03bf\u03cd \u03ad\u03c1\u03c7\u03bf\u03bd\u03c4\u03b1\u03b9 \u03bf\u03b9 \u03b5\u03c5\u03ba\u03b1\u03b9\u03c1\u03af\u03b5\u03c2; \u03a0\u03ce\u03c2 \u03c0\u03c1\u03bf\u03ba\u03cd\u03c0\u03c4\u03bf\u03c5\u03bd \u03bf\u03b9 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b5\u03c2; \u039a\u03b1\u03b9 \u03c4\u03b9 \u03ba\u03ac\u03bd\u03b5\u03b9 \u03ba\u03ac\u03c0\u03bf\u03b9\u03bf\u03bd \u03bd\u03b1 \u03b8\u03ad\u03bb\u03b5\u03b9 \u03bd\u03b1 \u03be\u03b1\u03bd\u03b1\u03b4\u03bf\u03c5\u03bb\u03ad\u03c8\u03b5\u03b9 \u03bc\u03b1\u03b6\u03af \u03c3\u03bf\u03c5;<\/p><p>\u03a3\u03b5 \u03b1\u03c5\u03c4\u03ae \u03c4\u03b7 \u03c3\u03c5\u03b6\u03ae\u03c4\u03b7\u03c3\u03b7, \u03b5\u03ba\u03c0\u03c1\u03cc\u03c3\u03c9\u03c0\u03bf\u03b9 \u03c4\u03b7\u03c2 Gen Z \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u03c3\u03ba\u03b7\u03bd\u03ae, \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2, labels \u03ba\u03b1\u03b9 promoters, \u03bc\u03bf\u03b9\u03c1\u03ac\u03b6\u03bf\u03bd\u03c4\u03b1\u03b9 \u03c3\u03b5 \u03bc\u03b9\u03b1 \u03b1\u03bd\u03bf\u03b9\u03c7\u03c4\u03ae \u03ba\u03b1\u03b9 \u03c1\u03b5\u03b1\u03bb\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03ba\u03bf\u03c5\u03b2\u03ad\u03bd\u03c4\u03b1 \u03c0\u03ce\u03c2 \u03be\u03b5\u03ba\u03af\u03bd\u03b7\u03c3\u03b1\u03bd, \u03c0\u03ce\u03c2 \u03c7\u03c4\u03af\u03b6\u03bf\u03c5\u03bd \u03b4\u03c5\u03bd\u03b1\u03bc\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03c4\u03b9 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03ac \u03c7\u03c1\u03b5\u03b9\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c3\u03ae\u03bc\u03b5\u03c1\u03b1 \u03b3\u03b9\u03b1 \u03bd\u03b1 \u03c7\u03c4\u03af\u03c3\u03b5\u03b9\u03c2 \u03bc\u03b9\u03b1 \u03c0\u03bf\u03c1\u03b5\u03af\u03b1 \u03c3\u03c4\u03b7 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae.<\/p><p>Moderated by Sotos Kourtellaris<\/p>","protected":false},"excerpt":{"rendered":"<p>\u0394\u03b5\u03bd \u03c5\u03c0\u03ac\u03c1\u03c7\u03b5\u03b9 \u03ad\u03bd\u03b1\u03c2 \u03c3\u03c9\u03c3\u03c4\u03cc\u03c2 \u03c4\u03c1\u03cc\u03c0\u03bf\u03c2 \u03bd\u03b1 \u03bc\u03c0\u03b5\u03b9\u03c2 \u03c3\u03c4\u03b7 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03b2\u03b9\u03bf\u03bc\u03b7\u03c7\u03b1\u03bd\u03af\u03b1, \u03bf\u03cd\u03c4\u03b5 \u03ba\u03ac\u03c0\u03bf\u03b9\u03bf manual \u03c0\u03bf\u03c5 \u03b1\u03c0\u03bb\u03ac \u03b1\u03ba\u03bf\u03bb\u03bf\u03c5\u03b8\u03b5\u03af\u03c2. \u039a\u03b9 \u03cc\u03bc\u03c9\u03c2, \u03bc\u03b9\u03b1 \u03bd\u03ad\u03b1 \u03b3\u03b5\u03bd\u03b9\u03ac \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03ce\u03bd \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b1\u03b3\u03b3\u03b5\u03bb\u03bc\u03b1\u03c4\u03b9\u03ce\u03bd \u03b4\u03b5\u03bd \u03c0\u03b5\u03c1\u03b9\u03bc\u03ad\u03bd\u03b5\u03b9 \u03bd\u03b1 \u03c4\u03b7\u03c2 \u03b4\u03b5\u03af\u03be\u03bf\u03c5\u03bd \u03c4\u03bf\u03bd \u03b4\u03c1\u03cc\u03bc\u03bf, \u03c4\u03bf\u03bd \u03c6\u03c4\u03b9\u03ac\u03c7\u03bd\u03b5\u03b9 \u03bc\u03cc\u03bd\u03b7 \u03c4\u03b7\u03c2. \u0395\u03af\u03c4\u03b5 \u03c9\u03c2 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2, \u03b5\u03af\u03c4\u03b5 \u03bc\u03ad\u03c3\u03b1 \u03b1\u03c0\u03cc \u03bf\u03bc\u03ac\u03b4\u03b5\u03c2, labels \u03ae projects, \u03be\u03b5\u03ba\u03b9\u03bd\u03bf\u03cd\u03bd \u03ba\u03ac\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2, \u03b4\u03bf\u03ba\u03b9\u03bc\u03ac\u03b6\u03bf\u03bd\u03c4\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03bc\u03c0\u03b1\u03af\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03ba\u03b1\u03c4\u03b5\u03c5\u03b8\u03b5\u03af\u03b1\u03bd \u03bc\u03ad\u03c3\u03b1 \u03c3\u03c4\u03b1 \u03c0\u03c1\u03ac\u03b3\u03bc\u03b1\u03c4\u03b1. \u03a4\u03af\u03c0\u03bf\u03c4\u03b1 [&hellip;]<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"event-cat":[86,103],"nationality":[],"music-genre":[],"destination":[774],"topic":[],"language":[361,122],"class_list":["post-30773","event","type-event","status-publish","hentry","event-cat-conference-el","event-cat-panels-el-2","destination-seminar-room-el","language-greek-el-2","language-greek-el"],"acf":[],"featured_image_src":"","ams_acf":[{"key":"date","label":"Date","value":"7 \u039c\u03b1\u0390\u03bf\u03c5 2026"},{"key":"launch_time","label":"Launch Time","value":"13:45"},{"key":"end_time","label":"End Time","value":"14:45"},{"key":"hero_image","label":"Hero Image","value":30111},{"key":"performers","label":"Performers","value":[{"ID":30694,"post_author":"2133","post_date":"2026-04-20 13:50:57","post_date_gmt":"2026-04-20 10:50:57","post_content":"<!-- wp:paragraph -->\n<p>Sotos Kourtellaris is an international music professional working at the intersection of music business, copyright, and live events. Based between Athens and London, he has built a portfolio spanning release campaigns for emerging artists, live concert management, heritage catalogue monetisation, and audience engagement strategies across labels, promoters, cultural institutions, and consulting firms in Greece, the UK, and beyond.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>His M.A. in Music Business Management (University of Westminster, Distinction) explored how queer audiences connect with music and the fandoms of local music scenes in an age of digitalisation and global industry shifts \u2014 a research lens that informs his approach to artist development and marketing.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Currently overseeing Label Operations &amp; Administration for the Athens-based independent labels Kiki Music Group &amp; Utopia Records.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->","post_title":"Sotos Kourtellaris (GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"sotos-kourtellaris-gr","to_ping":"","pinged":"","post_modified":"2026-04-20 13:51:57","post_modified_gmt":"2026-04-20 10:51:57","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=30694","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":22980,"post_author":"2133","post_date":"2024-05-09 12:20:03","post_date_gmt":"2024-05-09 09:20:03","post_content":"<!-- wp:paragraph -->\n<p>Konstantinos Alafogiannis, also known as Gus, is a Greek beatmaker and music producer with over 20 years of experience. He has collaborated with many artists in Greece and internationally, building a reputation for crafting beats that are not only sonically distinctive but also tailored to each artist\u2019s identity. Constantly evolving, he seeks new collaborations across genres and borders, aiming to create music that feels both timeless and relevant in today\u2019s landscape.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alongside his work in the studio, Gus plays an active role in the Greek music industry, working in music distribution (in the digital department) for Panik Entertainment Group and contributing to the organization of large-scale music events and conferences. This involvement provides him with a well-rounded perspective on both the artistic and strategic sides of music, allowing him to understand both the creative and business sides of the industry.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundcloud:&nbsp;<a href=\"http:\/\/www.soundcloud.com\/gusonthebeat\">http:\/\/www.soundcloud.com\/gusonthebeat<\/a><\/p>\n<!-- \/wp:paragraph -->","post_title":"Konstantinos Alafogiannis (GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"konstantinos-alafogiannis-gr","to_ping":"","pinged":"","post_modified":"2026-04-20 13:29:03","post_modified_gmt":"2026-04-20 10:29:03","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=22980","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":31108,"post_author":"2133","post_date":"2026-04-21 21:54:27","post_date_gmt":"2026-04-21 18:54:27","post_content":"<!-- wp:paragraph -->\n<p>GXHAN is one of the most promising rising artists in the domestic rap scene. As a core member of the collective Wake N Bake, he has already showcased his unique aesthetic approach to the genre, blending straight-forward hip-hop forms with elements from other contemporary genres. With fresh ideas, experimentation, and raw lyrical content, GXHAN brings something new and distinctive to the Greek music market.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Although still early in his career, GXHAN has already taken significant steps, collaborating with some of the biggest names in the Greek rap scene. His track Standards, featuring Katoxos, has surpassed 1\u039c streams, while his collaboration with Mikros Kleftis on Apopsi Freestyle has also captured listeners' attention, gathering also over 1M streams on Spotify.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In addition, GXHAN participated in Sal\u00f2: The Concert, a rap event inspired by the film Sal\u00f2, or the 120 Days of Sodom by Pier Paolo Pasolini. The concert, which took place on the Alternative Stage of the Greek National Opera at the Stavros Niarchos Foundation Cultural Center in the spring of 2024, was a pivotal moment in his career, highlighting his ability to combine music with other art forms.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In October 2025, he took another leap forward, sharing the stage with Katoxos in a sold-out show that underscored his rapid rise.<\/p>\n<!-- \/wp:paragraph -->","post_title":"GXHAN\u00a0(GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"gxhan-gr","to_ping":"","pinged":"","post_modified":"2026-04-21 21:59:00","post_modified_gmt":"2026-04-21 18:59:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=31108","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":30687,"post_author":"2133","post_date":"2026-04-20 13:36:31","post_date_gmt":"2026-04-20 10:36:31","post_content":"<!-- wp:paragraph -->\n<p>I am an event and label manager based in Athens, Greece, actively involved in the local independent music scene. With a background in the hospitality industry and experience in demanding environments, I transitioned into music by working closely with artists, labels, and creative teams.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>I currently work across event production and label management, contributing to the development and promotion of emerging talent, while supporting the execution of live shows and music related projects. My focus is on building authentic connections, fostering collaborations, and helping artists grow within a constantly evolving landscape.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>As part of a new generation of music professionals, I follow a DIY-driven approach, combining creativity with organization and adaptability, while navigating multiple roles within the industry.<\/p>\n<!-- \/wp:paragraph -->","post_title":"Emilia Oreopoulou (GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"emilia-oreopoulou-gr","to_ping":"","pinged":"","post_modified":"2026-04-20 13:37:47","post_modified_gmt":"2026-04-20 10:37:47","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=30687","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":31219,"post_author":"2133","post_date":"2026-04-22 10:55:40","post_date_gmt":"2026-04-22 07:55:40","post_content":"<!-- wp:paragraph -->\n<p>TSO is a multifaceted, non-conforming pop artist on the KIKI MUSIC roster. He has a rare&nbsp; gift for bringing opposing forces into musical conversation bending together ideas,&nbsp; perceptions, and genres. The profound and the poetic alongside the comic, even the&nbsp; underground club alongside the mystical and ritualistic. No label has managed to restrain&nbsp; him, and that is precisely what makes him singular. TSO has carved out a bold fingerprint&nbsp; as an artist of his generation in the Queer and Underground scenes of Athens, standing&nbsp; among a length of artists that tear down the walls between alternative and commercial.&nbsp; TSO was featured as one of \u201c10 musicians to watch in 2026\u201d by DAZED magazine.&nbsp;<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>As a songwriter under his given name Anastasios Tsordas, TSO has quietly shaped some of&nbsp; the biggest pop culture moments in Greece, being the writing force behind hits for Tamta&nbsp; (\"Identity Crisis,\" \"The Villain,\" \"The Heroine\"), Marina Satti (\"Pop,\" \"Pop Too\"), and Yianna&nbsp; Terzi (\"Simadia\").&nbsp;&nbsp;<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>His debut LP \"\u039a\u0399\u039d\u0399 \u03a5\u0399\" is a homecoming return to his roots and earliest musical obsessions:&nbsp; byzantine melodies, colliding with experimental electronic production and unapologetic&nbsp; autotune. From the euphoric \"ZOMETSO\" to the acoustic intimacy of \"IPNOS ft. Marina&nbsp; Satti,\" TSO writes for a generation that lives unapologetically, and bears in its arms the&nbsp; turbulence of a restless psyche.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->","post_title":"TSO (GR)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"tso-gr","to_ping":"","pinged":"","post_modified":"2026-04-22 10:59:59","post_modified_gmt":"2026-04-22 07:59:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.athensmusicweek.gr\/?post_type=speaker&#038;p=31219","menu_order":0,"post_type":"speaker","post_mime_type":"","comment_count":"0","filter":"raw"}]}],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The future of music is here: Meet the Gen Z&#039;s - Athens Music Week<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.athensmusicweek.gr\/el\/events\/the-future-of-music-is-here-meet-the-gen-zs\/\" \/>\n<meta property=\"og:locale\" content=\"el_GR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The future of music is here: Meet the Gen Z&#039;s - 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